Saxophone Metal Mouthpiece

Saxophone Metal Mouthpiece

Mouthpiece, Alto Sax, S-80 Selmer Paris, C* Tip Opening: Med Close 1.70 / Facing Length: Med 22.00

A professional mouthpiece will improve your sound more than any other percentage of your saxophone. I commend that be the introductory piece of instrumentation that you buy to upgrade your sound. Mouthpieces will come in two types- Jazz and Classical. For frequent playing you will want a good classical mouthpiece. These will be plastic looking. They are called hard rubber. There are three magnificent mouthpieces I commend that are somewhat priced. The Rousseau 4R is in regards to $70 and is fantastic. The 4R refers to the tip size. The Selmer S80 C* is another outstanding mouthpiece. It will cost with regards to $100 or so. The Rousseau New Classic plays like a S80 with a little dissimilar sound. It costs with regards to $80.00. I commend these mouthpieces for all of the saxophones.

Jazz mouthpieces are a little more complicated. If you play Alto, most people will go for a hard rubber mouthpiece as opposed to the metal, which have a tendancy to be a little bright for the alto. If you are going to play a lot of rock music, you may want that bright sound. My bestloved mouthpiece for the alto for ordinary jazz playing is the Meyer 6M. This is a classic that has been around for a long time. I would probably get started here before anything else for alto.

Tenor and Baritone saxophones in general prefer a metal mouthpiece. For tenor I in truth like the Otto Link 7 or 6. This has a good sound and is gorgeous popular. I won’t talk regarding soprano or Baritone here; most humans commence on alto or tenor.

Before you recompense the big bucks for a mouthpiece, you will have to always undertake it out first. If you purchased 10 of the same precise brand, and tried them all, you’d find that they all play different. Always undertake out initial and pick the one that works best for you. Later on you may want to buy a hand made mouthpiece and receive pleasure from the terrifi sound that comes from that. Be prepared to compensate the big bucks for one of these!!

You will in all probability need a dissimilar size of reed on your jazz mouthpiece then you use on your classical. Most persons use a little softer size on the jazz. Also, if you find the mouthpiece sentiment funny on your teeth, you may buy a tooth patch to put on the mouthpiece. This will feel comfortable on your front teeth, and protect the mouthpiece.

If you are just beginning on the saxophone, you actually ought to stick with the classical piece. After you are more advanced, you’ll probably want the jazz piece for those styles. If you are not mesmerized in frequent styles of music, you won’t need the jazz piece. There actually is a divergence amongst the two types, and if you plan on playing all styles, you will unquestionably need both types of mouthpieces.

Saxophone Metal Mouthpiece Image

Saxophone Metal Mouthpiece Photo

Saxophone Metal Mouthpiece Pic

Saxophone Metal Mouthpiece Picture

Most helpful client reviews

74 of 75 people found the following review helpful.
Selmer = industry standard
By P. Petersen
As a professional woodwind instructor and player, I commonly commend the Selmer C* mouthpiece to all of my students as their introductory “step up” from the beginner’s mouthpiece that came with their horn. When they buy or rent a saxophone, exceptionally these cheap new Chinese/Taiwanese horns like “First Act” or other brands, the mouthpiece that comes with the horn is ordinarily substandard, commonly plastic, and is scarcely sufficient for the beginner to get a sound out of the horn. Even so, a good mouthpiece may assuage numerous of the difficultnesses caused by an el-cheapo instrument.

Obviously, each student ought to always have the best possible instrumentation at his/her disposal, but even if the cost prohibits a student from buying a top-of-the-line pro horn, they must still invest the cash in a top quality mouthpiece. The mouthpiece and embochure form the foundation to tone production, and a good mouthpiece will make it possible to learn to develop a decent tone on even the worst-quality instrument. Conversely, the best instrument in the world is only going to sound intermediate if the mouthpiece is sub-standard. Garbage in, Garbage out.

Selmer has always had a good reputation for quality, and this piece is no exception. I’m not sure why they decisive to change their nomenclature from C* to C1, but as far as everything I may find to read when it comes to them, this is the popular model S80 C*. The letter C refers to the tip opening, which ranges from A (narrowest) to H (widest) and the star refers to little deviations in tip opening that aren’t sufficient to warrant a whole letter. This mouthpiece, the C1 or C*, has a tip opening of sixty-five thousandths of an inch, which is a good mid-range intermediate which will give students a outstanding deal of control over the full range of the horn without sounding too bright (as with wider tip openings) or too dark (as with narrower openings). Most other mouthpiece manufacturers use numbers rather of letters, normally 1 to 10, with 10 being the widest tip opening. The C and C* Selmers are roughly equivalent to when it comes to a 5, so just in regards to medium. For this reason they’re good for students who are still manufacturing their sound – this piece will give them the most skillfulness and “growing room” for their money.

As with any purchase, each student ought to spend a good deal of time playing a new mouthpiece BEFORE buying it to see if it’s right for them. Every mouth is shaped differently, and so a lot of mouths will naturally take to the shape of the Selmer while others might find a Meyer or Otto Link more to their liking. No matter what you read with regards to how this or that mouthpiece is the one, THE TRUE TEST IS IN THE PLAYING, no matter what. Copy the following phrase down and memorize it:

The idealisti mouthpiece is the one that makes it easiest to achieve the sound you want with the minimum of effort.

Notice I didn’t say that this or that mouthpiece will make you sound like this or that. YOU are the major element in what you sound like. Any player with sufficient control over their chops may make any saxophone sound like anything if they contort their face into the right position to make it occur through embouchure. The mouthpiece is shaped to make it requiring little effort or harder to achieve a peculiar sound with less or more crusade based on what the rest of your mouth is doing. But the overall tone quality is something YOU control by embochure, breath control, and concept.

So – when choosing a mouthpiece, it’s vitally important to have an idea of what you want your tone to sound like FIRST, then try various dissimilar mouthpieces and compensate attention to how hard you’re having to work to get that desired tone. Some of the mouthpieces will make it posing no difficulty to get your Preferred Sound, a lot of will make it harder. The one you want is the one that lets you sound like you with the least amount of “shape changing” of your embouchure.

With that in mind, it’s important to say that if you’re planning on buying a mouthpiece through mail-order, be sure you’re not affrighted to take vantage of the company’s return/exchange policy if need be. If you plunk down cash for a good mmouthpiece, and then you get it and play it and it’s not making it requiring little effort for you to sound like what you want to sound like, don’t be frighted to send it back and interchange it for a better one. Sometimes it’s as simple as altering to a dissimilar facing. If a C1 doesn’t feel right, undertake a C2, etc.

And – don’t be scared to ask the counsel of a pro and take a lesson if you’re necessitating help. That’s what we’re here for.

4 of 4 people found the following review helpful.
THE BEST
By Rudolph B. Jackson
Great mouthpiece for playing all types of music surperb shipping too! Great for intermediate player and pro’s.

2 of 2 humans found the following review helpful.
GREAT MOUTH PIECE
By designomatic
Finally, my primary review… Shipping was lightning fast and this mouth piece in truth sings. I was told my assorted alto players that this was a outstanding piece. Sure enough, it unquestionably beats my generic mouth piece that came with the alto. It plays well with 2 1/2!

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