Rico Baritone Saxophone

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Designed for a wide potpourri of playing situations, Rico Reeds are cut of our most flexible grade of cane. The ease of play, lowpriced price and commodious packaging choices are why more musicians global find Rico the best value.

•Designed for ease of play
•Unfiled for powerful tone
•Priced affordably for educators
•Available for full range of clarinets and saxophones
•Offered in quantities of 3 and 10 reeds, and the 25 Novapak reed dispenser

At it is San Fernando Valley facility, Rico has a state-of-the-art reed exploration center, and employs the collaboration of agronomists, scientists, and musicians to develop top-quality reeds that include Rico Reserve premium reeds for clarinet and saxophone. Rico reeds are designed to gain all levels of musicians from the beginner to the seasoned professional. Many of the world’s finest clarinetists and saxophonists use Rico brand reeds, such as Anthony McGill, Mark Nuccio, Jessica Phillips, Jerry Bergonzi, Chris Potter, Benny Golson, Ernie Watts, Bob Sheppard, Walter Boeykens, Seiji Yokokawa, Philippe Geiss, Diastema Saxophone Quartet, and numerous more. For more information, visit RicoReeds.com

The Saxophonists best friend…

What’s Your “Set up”? I many times get asked that question, meaning what kind of mouthpiece and reeds do you use. Fortunately I found my perfective set up over 15 years ago and have no need or desire to try anything else because like I said, it’s the perfective set up… for me.

I’ll tell you what I use but I ‘m not here to commend anything in particular, every one must try various kinds of shapes and sizes in a saxophone mouthpiece. We’re all dissimilar and what’s right for one person won’t feel right to another.

There are numerous parts and dimensions to a sax mouthpiece; baffle, tip, lay, rails, chamber, shank, etc. Best thing is to undertake as a great deal of dissimilar brands as you have access to then when you find a brand that feels more or less better than the rest begin zeroing in on the particulars such as chamber size, lay opening, etc.

When you’re an experienced player no one needs to tell you what’s right for you but as a beginner your instructor will make helpful suggestions; for example, if your tone is thin he might suggest a more opened tip mouthpiece.

Mouthpiece Graveyard

For numerous years I tried each kind of mouthpiece I could get my hands on. Whatever humans were proposing and whatsoever I saw advertised. I’ve got a box full of ‘em; Otto Link, Berg Larsen, Bari, Yamaha, hard rubber ones and metal ones. I can’t even do not forget them anymore.

I borrowed a friends baritone sax once so I went mouthpiece shopping. After with regards to an hour in the exercise cubicle I had it narrowed down to a couple nice ones, then the guy working at the store asks me if I’ve tried the Rico’s yet, I told him that I was looking for a mouthpiece not reeds. He said that Rico is making mouthpieces now and he hands me one to try. This bari Rico ended up being my favored one and so when I took it to the counter they told me it costs 12 bucks, yes $12! I was so impressed with it I had to try one on my tenor but it just didn’t feel right. You never recognise till you try,

Finally I had the chance to try a Dave Guardala mouthpiece and fell in love instantly. It was a Michael Brecker model. This was around 1990 and it’s what I am using today. I later likewise got a King Curtis model and have it as a back up. I hope I never loose the Brecker model cause I like it the best.

Dave Guardala “Reeds” My Mind

I don’t know if Mr Guardala still takes phone orders but in those days he did cause he took my order and tried talking me into using Vandoren Jazz Cut reeds. I didn’t go for it cause I had tried Vandoren reeds before and hated them. He persisted on these and I in the long run said just send the mouthpiece, I’ll worry regarding the reeds myself.

When the mouthpiece came in the mail and I opened the box I had to laugh because there was a Vandoren Jazz Cut reed set up on the mouthpiece by Dave. I though, man, this guy sure is persistent when it comes to these reeds on his mouthpiece. Well, of coarse I gave it a try and since that day haven’t used anything else. This is the best combining I’ve ever tried. I have tried those same reeds with other mouthpieces but they just didn’t work the same.Thanks Dave Guardala!

Beginners will start out with a #1 or #2 reed. As you get into a more opened mouthpiece and your air support becomes more powerful you’ll most likely get a harder reed, perchance #3 or #4. Like shoes, they come in half sizes as well. Again, this requires a lot of experimenting with reed amount of energy and mouthpiece combinations. You’ll know when the right one comes along.

More Important Than The Sax

Yes that’s right, your mouthpiece and reed combining will make a more prominent divergence in your sound than your saxophone. Of coarse we all look for a good horn that’s well made and is working in the right manner but the mouthpiece is were the air hits the road. This is where basi contact is made so your reed and mouthpiece combining play the most essential share in the tone you will give rise to through the other end of your horn.