Designed for a wide assortment of playing situations, Rico Reeds in strength 2.5 are designed to vibrate easily. Featuring an unfiled cut and thinner vamp, Rico offers an ease of play that, combined with it is lowpriced price and commodious packaging options, explains why more musicians global find Rico the best value.
Rico reeds have been the popular among reed players for generations. All Rico reeds are fabricated on state-of-the-art instrumentation that assure an precise cut and smooth finish. Every reed is precisely graded for it is strength and quality, making Rico the best value for students and pros alike.
From modest beginnings, Rico has grown to become a leader in single-reed manufacturing. Since the acquisition of Rico by D’Addario & Co., Rico has further strengthened it is position as the leader in woodwind reeds and accessories. At it is San Fernando Valley facility, Rico has a state-of-the-art reed exploration center, which employs the collaboration of agronomists, scientists, and musicians to fabricate top-quality reeds, including Rico Reserve premium reeds for clarinet and saxophone. Rico reeds are designed to gain all levels of musicians, from the beginner to the seasoned professional. Many of the world’s finest clarinetists and saxophonists use Rico brand reeds, such as Mark Nuccio, Jerry Bergonzi, Chris Potter, Benny Golson, Ernie Watts, Bob Sheppard, Henri Bok, Richie Hawley, Eric Alexander, and a heap of more.
Rico Alto Sax
Designed for a wide potpourri of playing situations, Rico Reeds are cut of our most flexible grade of cane. The ease of play, lowpriced price and commodious packaging choices are why more musicians global find Rico the best value.
•Now you may get Rico reeds in commodious 3-reed packs. The Rico three-pack is a perfective amount for rental instruments and in particular for students, who need to have spare reeds.
•Designed for ease of play
•Unfiled for powerful tone
•Priced affordably for educators
•Available for full range of clarinets and saxophones
•Offered in quantities of 3 and 10 reeds, and the 25 Novapak reed dispenser
At it is San Fernando Valley facility, Rico has a state-of-the-art reed exploration center, and employs the collaboration of agronomists, scientists, and musicians to construct top-quality reeds that include Rico Reserve premium reeds for clarinet and saxophone. Rico reeds are designed to gain all levels of musicians from the beginner to the seasoned professional. Many of the world’s finest clarinetists and saxophonists use Rico brand reeds, such as Anthony McGill, Mark Nuccio, Jessica Phillips, Jerry Bergonzi, Chris Potter, Benny Golson, Ernie Watts, Bob Sheppard, Walter Boeykens, Seiji Yokokawa, Philippe Geiss, Diastema Saxophone Quartet, and a great deal of more. For more information, visit RicoReeds.com
Alto saxophonist Charlie Parker was one of the most influential jazz musicians of all time. Known also as Yardbird, or plainly Bird, Charlie was an early bebop pioneer; a heap of of his songs stay standards to this day.
It might surprise you, but Charlie Parker started playing the saxophone at age 11, but wasn’t a child prodigy by any stretch of the imagination. He joined the school band at age 14, and by one account, was kicked out because of his bad playing as a result of his lack of formal training. Charlie didn’t let setbacks bother him though, and an in consultation once said that for three to four years he practiced 15 hours a day. Part of this exercise regime included playing the blues songs he learned in all 12 keys. During this time, Parker’s improvisational skill flourished, and he started out to manufacture a great deal of of the musical ideas that would give birth to bebop.
In the late thirties, Charlie played with local jazz bands in the Kansas City area. Ensembles led by Count Basie and Bennie Moten were usual in the area around this time and influenced Charlie’s playing. By 1938 Charlie Parker had joined pianist Jay McShann’s band, Jay McShann’s Territory Band. The band played all over the southwest and on occasion travelled to larger markets such as Chicago and New York.
It was with Jay McShann that Parker would play on his basi professional recording. Bird moved to New York in 1939 and took a occupation as a dishwasher at Jimmy’s Chicken Shack to supplement the income he made with Jay McShann’s Territory Band. Pianist Art Tatum oftentimes played at the venue and his use of fast paced arpeggios would have an influence of Parker’s playing.
In 1942 Charlie Parker left Jay’s band to play with Earl Hines’ band. A band that included Dizzy Gillespie on trumpet. A musician’s strike from 1942-1943 has made it difficult to document much of what happened for the duration of that period. We do know, however, that in that year Paker played with a group of young musicians who embraced the new bebop form of jazz. This group of musicians included not only Parker and Gillespie but other soon to be legends, such as Thelonious Monk, Charlie Christian and Kenny Clarke.
During these formative years of the genre, most of the older, traditionalisti jazz musicians did not hug it. Some, however, such as Coleman Hawkins and Benny Goodman, cherished the new art form, playing and recording with bebop stylists. The genre which Charlie Parker all but invented, had arrived.
Charlie was famous for showing up to gigs without an instrument and borrowing one from somebody else at the last minute. For this reason, he could be seen playing some dissimilar makes and models of sax. These include Conn 6Ms, Selmer model 22s, and 26s, and even a Grafton plastic saxophone. In 1947 he had a King Super 20 made exclusively for him. He seemed to prefer Brilhart mouthpieces, having applied both Ebolin and Tonalin Streamlines. According to rumor he employed hard Rico reeds early in his career but later swopped to a 2 ½ in the fifties.
Rico Alto Sax Picture
Rico Alto Sax Pic
Rico Alto Sax Pic
Rico Alto Sax Photo
Most helpful client reviews
6 of 6 humans found the following review helpful.
 Good price, quality and play for beginning band students
By Andrea L. Polk
Recommended by the middle school band instructor, I had antecedently purchased Rico reeds at a local store, but found the pricing on Amazon to be better, therefore my purchase.
At an intermediate of two dollars per reed, these are a step down from the Rico Royal – Alto Sax #2.0 – Box of 10, but utterly adequate for the beginning alto sax player. They are lasting (no chipping, cracking or splitting) with intermediate use (30 minutes a day for 2 weeks).
I’d commend them to alto sax players who are in beginning to intermediate band classes (elementary and middle school), who want to buy quality reeds at a budget price.
2 of 2 humans found the following review helpful.
 Good quality for the price.
By S. Skaryd
They seem to be a good quality for the price. Our friend who also plays sax said he wants us to order a great deal of for him. He was the one who suggested this brand. Can’t match the price anyplace locally.
1 of 1 humans found the following review helpful.
Good starter reed
By E. Sikorski
I have always found Ricos to be worthy of acceptance or satisfactory beginner reeds for students in their introductory year or two playing. The reeds are somewhat consistent, and the lower price means that breaking a reed is not too much of an expense for whomever is footing the bill for reeds (teacher, student, school, parent…). The provided plastic cases do a good occupation protecting the reed, as long as they are not pushed in too far. I am glad to see Amazon carries such a good assortment of sizes and quantities. As a teacher, I ordinarily try to stock up and save numerous cash by getting the 25 count boxes. Prices are without apparent effort competitory with a lot of internet music merchants who sells goods at retail – but with prime (or super saver) shipping!!
See all 18 client reviews…
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