Deluxe Flute Pads

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The same easy to insert top of head cooling effect as our usual MiraCool® Hard Hat Pad #968 with the added gain of a sun protecting neck shade.

If you trace music production audio effects history you will find that most audio effects are combined through the foundation of delay. Chorus, Phaser and Flanger, just to name a few, use delay to achieve it is effects. Delays have been employed in each audio recording since the early days of audio effects. It may make things sound more prominent in a mix. They may likewise be applied on mastering, largely to repair stereo effigy problems, but doing it faulty may demolish your precious song, as we all recognise that too much of everything is not good.

They may be applied on anything, from instruments to vocals, but a lot of online music production lessons will tell you not to use it on bass instruments. A bass guitar may gain with a subtle amount of delay, and for example, take a mono delay with eighth note delays may pump like a bass guitarist doing a straight eighth riff. To get the most out of ‘em use them in a send/Fx channel with an Eq cut at around 250MHz to 500MHz to remove any muddiness and add a heap of bite at around 2KHz to 3KHz, and with this settings you construct more space in your mix.

If you’re using delay on Vocals cut 2KHz, on the delay, to remove sibilance. Here is an effective music production lesson for vocals I learned from Willie Els, one of the best music Producers /Engineers:

Create an FX channel, insert your bestloved delay effect (I still love the legendary Lexicon) and use automation on High Pitched Notes, and to rap it off, use a high pass filter; this effect may even gain a bad performance and the results are mind blowing.

And always do not forget that these online free music production lessons are just a guideline, perchance they might not work on the type of material you presently working on, so take whatsoever you take and leave whatsoever you don’t need.

Happy Delaying!