Tenor Saxophone Reed

Tenor Saxophone Reed

The universal reed, Vandoren Traditional Saxophone Reeds are widely used among masters in all genres. This reed is designed to create a quality of exceedingly pure sound due to a very thin reed tip (the area of reed with greatest or most complete or best possible vibration) and a solid vertebral column (more cane in the area which climbs gradually to the heel). These reeds are recognizable by a straight line to delineate the limit of the area of bark. The favored reed of recognized saxophonists like Stan Getz, Lee Konitz and Marcel Mule, Vandoren Traditional Reeds have always been applied with equivalent success by some players.

Lenny Pickett is best known as the tenor saxophonist of the Saturday Night Live Band, he is one of the virtuosos of altissimo saxophone. The altissimo register is a technique that closely seems like a requisite for saxophonists today. It’s based on harmonics and enables you to achieve notes above the normal range of the saxophone.

For example, it is possible to finger a low Bb (the lowest note on the instrument) and by altering the embouchure and air stream to blow the full overtone series of the low Bb (middle Bb, middle F, high Bb, high D, high F, and so on.) This technique may be heard distinctly in the well known opening theme to Saturday Night Live.

Lenny passes says this regarding his equipment, in response to galore inquiries: “I play a Selmer Paris Mark VI tenor (circa 1970) with a Berg Larsen 130 over 0 (SMS) mouthpiece and a number 3 Vandoren (blue box) bass clarinet reed.”

Pickett, born in New Mexico in 1954, is capable not only with saxophone, but likewise on flute and clarinet. After dropping out of high school in Berkeley, he expended a brief amount of time studying underneath Bert Wilson, but amazingly, other than that instruction is altogether self taught on the saxophone. Not viewed as a established jazz player, he is best showcased in short bursts of color bringing the life of his horn to center stage in R&B and rock arrangements. He is well known for his funky style, and his capacity to make the sax “scream.”

Pickett played with the Tower of Power horns from 1972 to 1981, and toured the world with them. Tower of Power still tours spacious today, even though without Pickett. They freed multiple Top 100 albums over the course of Pickett’s career with them. Tower of Power played in a great deal of styles, from soul to funk to disco, and Pickett’s virtuoso playing felt at home in all of them.

Tower of Power’s horns section has performed with a potpourri of other artists including Santana, Heart, Poison, Phish, and more. He has since performed live and recorded with Rod Stewart, Elton John, Little Feat, Peter Gordon’s Love of Life Orchestra, Doc Kupka’s Strokeland Superband, and galore rock and jazz albums and film and television soundtracks. Pickett’s management’s bio describes his music as “polyphonic extravaganzas which manage to touch base with r&b, funk, swing, Latin influence and the avant-garde; horn lines twist around one another, shifting and building in intensity.”

He has worked as a saxophonist and arranger for David Bowie, the Talking heads, and Laurie Anderson. As a composer he has been commissioned to write works mixing classical and usual ideas for a potpourri of ensembles including the New Century Saxophone Quartet. Due to his strange and wild self taught style, his proficiencies are unceasingly discussed on Internet forums, where players speculate on his fingering, whether or not he’s using double or triple tounging, often times asking each other “What is Pickett doing?!??!”

He is presently a professor of jazz saxophone for New York University.

Tenor Saxophone Reed Pic

Tenor Saxophone Reed Pic

Tenor Saxophone Reed Image

Tenor Saxophone Reed Picture

Most helpful client reviews

2 of 2 people found the following review helpful.
Amazing Price for an Amazing Reed
By Joseph Bradley Mccullough
This is closely a 40% savings from the local music store for the precise same product. This price is awful for the quality of the product.

0 of 0 humans found the following review helpful.
Reeeeeeeeeeeeds
By Shannon
I had to buy these reeds for marching band and they have kept up well recently. My only problem was, one of the reeds in the box was broken. I plan to stay with Vandoren for the rest of my time in the band, altho .

0 of 0 humans found the following review helpful.
Great! Durable, Long-Lasting, and Produces outstanding sound!
By norris
What the title says.

Everything that was described on the box, or this amazon page was right!
I’ll unquestionably buy these again once my box runs out.
I’ve been on 1 reed for almost 2 months now.

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