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Let it be known that I like band directors, and that without mine long ago I would not be sitting here writing when it comes to what I recognise regarding the oboe. He was (and in all probability still is) a terrifi man who encouraged me, taught me what he knew but then was modest sufficient to say that he could take me no further. He commended a professional oboist in town so I could carry on learning the things he could not instruct me, and I am everlastingly grateful. So, you could say I have a outstanding deal of respect for band directors. I know they are instructing a lot of kids a lot of dissimilar instruments, and there is no way anybody may be an expert on all of them. I give them credit for trying! But there’s something that has been coming up a lot in my instructing and even when fielding reed questions that has been bothering me. And though I am sure band managing directors aren’t the only ones to “blame,” that’s where I am starting to work towards a solution. The problem seems to be in advising the young band oboists in the selection of oboe reeds. Now, a great deal of a band conductor has purchased handmade oboe reeds from me, so there are exceptions. But to the majority out there, do you know how much having little impact instructing the oboe would be if you handed out handmade oboe reeds rather of fibercane or even those awful profiled music-store reeds? The reason is plain and simple. These reeds do not give hope or courage to good habits and make the oboe difficult to play, more difficult that it ever needs to be. The idea I keep hearing is that somehow, good reeds are reserved for good students… but that is totally wrong. A good, handmade oboe reed will have to be provided for each beginning oboist on their very introductory day of playing the oboe. Talk to a professional oboist and see if they may work with you in making reeds that young students may handle, or consult a professional reedmaking company (yes, like MKL Reeds) that may work with these requests. Although we need “labels” on reeds so that we all recognise what we are talking about, these labels are perchance the least helpful portion of all of this. Find a place that may make reeds for beginning students, and that must be beauteous much all you need to say. I am on my soapbox not long back with regards to all this “hard, medium hard, soft” stuff!! There is likewise this very big misconception out there that once a student has been playing for more than a year they need to “graduate” to a “harder” reed… and by the time they have been playing a while they are being handed these “hard” reeds they can’t even play! I just don’t comprehend where this all came from, thinking that increased capacity on the oboe in some way means you will have to make it harder for somebody to in truth play. Now, it’s not exclusively the fault of a band director. And the circumstance is not precisely helped by machine made reed makers that are labeling their reeds in this way either. Here’s my take on it: An oboist needs a reed he may play, NO EXCEPTIONS!! Buy oboe reeds for your students that are handmade and are not classified in this way, unless you may talk to someone and explain what you need. What a more progressed student needs in a reed is resistance, which is much dissimilar that hardness. So, stop handing them hard reeds once they pass the year mark, and exceptionally when they seem like they are struggling. Unless you may scrape these reeds down for them, they ought to not be encouraged. Better yet, get reeds from a professional oboist because these will make your occupation requiring little effort and it will make your students improve more immediate and probably get enjoyment from playing a lot more. I can’t imagine how hard a occupation it is to be in your shoes, but think of the aweinspiring get started you may aid give to each and each kid that chooses to play the oboe. |
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