Otto Link

Otto Link

In the world of professional mouthpieces for saxophones, one name stands out amongst the crowd. It is Otto Link! These bell metal mouthpieces have been the choice of numerous touring professional saxophonists in each genre of music from pop and rock to jazz, classical and R&B. With their superior tone and wide range of facing sizes available, your sound will ascend to unheard of levels. Find out why these mouthpieces are the “choice of the world’s greatest artists”!

The Saxophonists best friend…

What’s Your “Set up”? I often get asked that question, meaning what kind of mouthpiece and reeds do you use. Fortunately I found my perfective set up over 15 years ago and have no need or desire to try anything else because like I said, it’s the perfective set up… for me.

I’ll tell you what I use but I ‘m not here to commend anything in particular, every one will have to try assorted kinds of shapes and sizes in a saxophone mouthpiece. We’re all dissimilar and what’s right for one person won’t feel right to another.

There are a good deal of constituents and dimensions to a sax mouthpiece; baffle, tip, lay, rails, chamber, shank, etc. Best thing is to undertake as a great deal of dissimilar brands as you have access to then when you find a brand that feels somewhat better than the rest start out zeroing in on the particulars such as chamber size, lay opening, etc.

When you’re an experienced player no one needs to tell you what’s right for you but as a beginner your instructor will make helpful suggestions; for example, if your tone is thin he might suggest a more opened tip mouthpiece.

Mouthpiece Graveyard

For a heap of years I tried each kind of mouthpiece I could get my hands on. Whatever humans were proposing and whatsoever I saw advertised. I’ve got a box full of ‘em; Otto Link, Berg Larsen, Bari, Yamaha, hard rubber ones and metal ones. I can’t even do not forget them anymore.

I borrowed a friends baritone sax once so I went mouthpiece shopping. After in regards to an hour in the exercise cubicle I had it narrowed down to a couple nice ones, then the guy working at the store asks me if I’ve tried the Rico’s yet, I told him that I was looking for a mouthpiece not reeds. He said that Rico is making mouthpieces now and he hands me one to try. This bari Rico ended up being my bestloved one and so when I took it to the counter they told me it costs 12 bucks, yes $12! I was so impressed with it I had to undertake one on my tenor but it just didn’t feel right. You never recognise till you try,

Finally I had the prospect to try a Dave Guardala mouthpiece and fell in love instantly. It was a Michael Brecker model. This was around 1990 and it’s what I am using today. I later also got a King Curtis model and have it as a back up. I hope I never loose the Brecker model cause I like it the best.

Dave Guardala “Reeds” My Mind

I don’t recognise if Mr Guardala still takes phone orders but in those days he did cause he took my order and tried talking me into using Vandoren Jazz Cut reeds. I didn’t go for it cause I had tried Vandoren reeds before and hated them. He persisted on these and I ultimately said just send the mouthpiece, I’ll worry regarding the reeds myself.

When the mouthpiece came in the mail and I opened the box I had to laugh because there was a Vandoren Jazz Cut reed set up on the mouthpiece by Dave. I though, man, this guy sure is persistent in regards to these reeds on his mouthpiece. Well, of coarse I gave it a try and since that day haven’t used anything else. This is the best combining I’ve ever tried. I have tried those same reeds with other mouthpieces but they just didn’t work the same.Thanks Dave Guardala!

Beginners will start out with a #1 or #2 reed. As you get into a more opened mouthpiece and your air support becomes more powerful you’ll most likely get a harder reed, possibly #3 or #4. Like shoes, they come in half sizes as well. Again, this requires a lot of experimenting with reed intensities and mouthpiece combinations. You’ll know when the right one comes along.

More Important Than The Sax

Yes that’s right, your mouthpiece and reed combining will make a larger divergence in your sound than your saxophone. Of coarse we all look for a good horn that’s well made and is working the right way but the mouthpiece is were the air hits the road. This is where introductory contact is made so your reed and mouthpiece combining play the most crucial percentage in the tone you will develop through the other end of your horn.

Otto Link Image

Otto Link Image

Otto Link Pic

Otto Link Picture