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The Magic Flute was Mozart’s final opera. It was written in 1791, the year of his death. It was original performed at the Theater auf der Weiden in Vienna. How The Magic Flute Came About The idea for The Magic Flute came with regards to as a result of the friendship amidst Mozart and Emmanuel Schikaneder who was an actor, singer and was likewise the manager of the Theater auf der Weiden, which had been benefitting in popularity with the Viennese middle classes. Schikanader suggested to Mozart that a pantomime type comic opera would be a crowd pleaser and potentially highly profitable for them both. Mozart, who was at that time beneath a heap of financial strain, consorted readily. Mozart worked on the opera over the summer of 1791 and it did much to raise his spirits regarding his cash woes. However shortly after beginning work he received a commission which has been the cause of much rumour and speculation ever since. He was supposedly sent an anonymous request to write a requiem mass. There was a condition on the final payment that Mozart ought to make no undertake to discover who his patron was. Despite the odd way in which the commission was sent Mozart decisive to receive – after all it was going to compensate well. Mozart was again amazed when in he received a commission to write an opera to celebrate the crowning of Emperor Leopold II as King of Bohemia. Time was short and work had to start out immediately. As a result he was obliged to delay working on the Magic Flute and travel to Prague, which did not please Shikanader. On returning to Vienna in September Mozart, beneath galore pressure from Schikanader, managed to finish The Magic Flute in time for it is premiere on 30th September. Schikanader was proved right; it was a huge success and attracted full houses. Original cast Tamino – -Benedict Schack Papageno – Emanuel Schikanader Pamina – Anna Gottileb Queen of the Night – Josepha Hofer (Mozart’s sister in law) Sarastro – Franz Xaver Gerl Papagena – Barbera Gerl Libretto The story is a more or less convoluted and potentially mixing up one and the main plot gives way at popular intervals to comic sub plots. However the basic story is in regards to Tamino, a prince, and Pamina, daughter of the Queen of The Night. Tamino becomes lost in a far off land. He is being persued by a serpent which is killed by three ladies who are attendants of the Queen of the Night. Tamino then meets Papageno, the birdcatcher who pretends to Tamino that it was he who rescued him. The three ladies are angry at this and impose a penalty on Papageno. They show Tamino a picture of a young maiden (Pamina) and Tamino falls instantaneously in love with her. At this moment the Queen of The Night appears and tells Tamino that he ought to rescue her daughter ( Pamina) who is being held captive by the evil Sarastro. She promises Tamino that if he frees her daughter then he may marry her. He is given a magic flute to take on his journey. Tamino agrees and sets off on his rescue mission but when he arrives at the place where Pamina is being kept he is not permitted to pass through the Gates of Nature and Reason. He tries the Gate of Wisdom rather where a priest tells him that Sarastro is in truth a good character. Tamino plays the Magic Flute, hoping to fetch Pamina to him. She eventaullay arrives together with Papageno. The guards undertake to capture them but Papageno enchants them with his magic bells. Sarastro arrives and Pamina tells him that she wishes to leave with Tamino. Together with the council of priests Sarastro decrees that Pamina may leave with Tamino if they may pass a trial by ordeal. They finish their tryouts with the help of the Magic Flute and are re-united again. Masonic Connections Mozart and Schikanader were both masons and The Magic Flute appears to be filled with masonic references of one kind or another. The Masonic Sacred number is three and the opera is writen in E flat major, which has three flats. There are three ladies who attend the Queen of the Night and three spirits are sent to help Tamino and Pamina. The rituals which Tamina and Pamina have too undergo bear strong reemblance to the masonic initiations rituals. There are some more examples but the conclusion must be that Mozart and Schinakeder had deliberatelywritten a masonic opera. This is a bit surprising given the vows of secrecy members are expected to observe but there are too galore references for it to be merely coincidence. Another of the little mysteries surrounding Mozart that we will in all probability never have a full to answer to. The Magic Flute is still going strong and is performed regularly all over the world. |
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